I show you that creating a replacement cover for an ironing board is quick, easy and inexpensive.
I love the convenience of my Ikea JALL table ironingboards which I use in the guest room and in my textile workshops. It was the Simple Sew Sheffield launch which made me stocktake and realise that one ironingboard was really not fit to be seen in public. I’m not sure I really want to “bare all” and show you how tatty it had got here, but in true before and after style, I have decided I will.
ironing board hack BEFORE
Not a pretty sight heh?
Ikea sell replacement covers for their larger ironing boards but not for the table ironingboard. I am really into up-cycling rather than replacing so I set about investigating how to make a replacement cover.
Going to my fabric stash I found a piece of cotton just the right size. It was a remmenant I was offered very cheaply at Economy Fabrics. This project needs 90 x 40 cm of fabric.
Taking the existing cover off, I found the wadding still usable and used it as a pattern, adding 5cm all around
Using the wadding as a pattern
I decided to improve on the single wadding and added some Insul Bright heat resistant wadding. This wadding feels more like felt and contains heat-resistant properties, often Mylar fibre which is used in the space programme. It is ideal for such projects as place mats, cool bags, tea cosies etc. where it is important to keep things hot, keep them cold or protect surfaces from extreme temperatures.
I was glad I did add this extra wadding as the board is not only more padded and so nicer to use, pressing seems quicker too. In order to prevent the two layers of wadding sliding around I sewed them together using a large zig zag stitch.
sewing wadding layers together
Binding the Cover
I used pink bias binding, to edge and create a casing to thread some cord through.
I often make my own binding but for speed I used some matching bought binding I had in my stash. This project used 1.8m of binding and 2 m of cord.
adding bias binding
Open out the binding and place right side to the wrong side of the fabric, on the edge of the cut out cover fabric. Sew along the fold line. This makes it easy to then turn over to the right side and sew along the egde to secure and form the casing. before turning over the binding and sewing the second line of stitching, clip the seam around the curved parts so that the cover will lie flat.
clipping the curves
Finishing the replacement cover
I used a safety pin attached to one end of the new cord to thread it through the pink casing I had made.
threading new cord through the casing
Make sure you secure the other end though! You may be able to reuse the existing cord, but mine had weakened too much.
To complete this hack, just lay the cover face down, place the wadding on top (of the wrong side) and then lay the iron board on top. Pull up the cord so the cover gathers up to fit the ironing board. Tie the ends of the cord together.
And voilla, you have made a replacement cover and a good as new, or even better, ironing board.
ironing board hack after – back
ironing board hack after – front
If this blog post inspires you to investigate updating worn out items, I would love to hear about your projects.
The Anneka Tunic Simple Sew pattern is very versatile, and can be made up in a variety of fabrics, but this time I chose to make it from upcycled denim with shirts for the optional lining.
Shirt detail and orange satin stitching (to match the jeans seams) add styling. Three jeans pockets made the new outfit even more practical for me.
I am teaching courses in Dressmaking with this being one of the possible pattern choices, and as a Simple Sew Stockest, can also supply the pattern for you to use at home, so please get in touch for more details.
Much hard wearing denim remains when jeans are discarded. My family provides heaps of fabric and charity shops are also good sources. Often it is worth asking if they have any that has not been put out, which may be even cheaper. If jeans are not of a fashionable style or if shirts have some wear or staining (which we can cut out) they may not have been but out on display.
I used a buttoned back pocket from one pair of jeans as a breast pocket, and a loop I liked from the back of a shirt added some extra detailing to the upcycled denim.
This dress can be worn over leggings and a top in winter and the front and back pleats give lots of movement for a busy lifestyle. I did extend the stitching on both pleats down further than marked on the pattern. This was more flatterning but still gives me plenty of movement.
I used a comfortable soft brushed cotton pyjama top to make bias binding for the neck and arm edges. Then there is no discomfort from upcycled denim rubbing at your neck or underarms! This also conveniently binds the outer and lining layers together.
Joining Lining Using Bias Binding
Hand Finishing Binding
When I tried on the lining for size before joining the layers, I liked it so much I think I will make a shirting dress for summer. What do you think?
If you haven’t tried upcycling clothes in this way, it involves choosing parts of garments you want to use. You sew these together to form a patchwork large enough to lay on your pattern pieces.
Join pieces right sides together with a 1.5 cm seam allowance.
Patchwork with Shirts for Annika Tunic
I then like using pinking scissors on cotton fabric seams to stop fraying. But you can use a zig zag stitch instead. Press seams open, and cut each piece straight before adding the next piece.
It is worth thinking about where you want certain pieces to be as you work, and the mix of pattern and colour. Upcycled denim has so much variety.
You can see here, I also added a small dart (on outer and lining) as I found the armhole gaped a little. It is worth regularly trying pieces against you, and trying the garment on, as you make them up to check for fit. I was able to make this adjustment before adding the binding. So I now know I need to do this for this pattern to fit me well.
Helen Moyes Designs – A custom made, re-purposed designer dress for the cost of some thread!
During the five months of the round robin, I looked forward to seeing how others interpreted the theme. The challenge included piecing, but not quilting, the rows, which were to be between 5 and 9 inches deep.
My Row Design
My Sheffield Quilt row was inspired by growing up and living in Nether Edge and Ecclesall. These leafy suburbs in South Sheffield are on the edge of the beautiful Peak District. So I wanted to include both the city and peaks I love. This combination of a green, culture rich city with easy access to the Derbyshire Peak District makes me love living here. In fact, a third of the city lies within the Peak District national park.
I upcycled some existing patchwork from a worn out skirt, signifying my love of creating with the discarded.
The greens spoke of a lush landscape with varying foliage, and I created a background of hills.
I added a sky-scape for the city of Sheffield, in dark, small floral print fabric. And I used the council logo as a basis for the design, enlarging it and cutting out the dark fabric (with bondaweb on the reverse) with embroidery scissors. Running stitches in black thread attached this to the patchwork background.
I added millstones in a textural fabric and the Peak District arched logo in green satin to blend the City with the Peak District.
As instructed, in August we each took our first row in a plain cream fabric bag. We were also told to include any fabric we wanted in future rows and a notebook with colour or style preferences, theme etc.
I noted the inspiration for my row in my quilt notebook and added that I was happy if the theme was interpreted in any way, with any technique. Furthermore I wrote: ” a traditional patchwork block may come to mind, or it may be an experience of Sheffield you have which inspires your row design”
The group bag monitor then redistributed the bags so each month we each received a different bag. So during August, September, October and November I received a bag containing an ever increasing number of rows and I made a further row. This year I plan to blog about the other sewing, as each completed quilt is revealed. However, here I will share about my Sheffield quilt.
This was the deepest row and ended up at the bottom of the Sheffield Quilt. The team member wrote in the notebook they hoped they weren’t being greedy as they chose five aspects of Sheffield to create:
Henderson’s Relish, because they were born in the previous maternity hospital opposite the factory that made this iconic sauce brand. Made in Sheffield for over 100 years, it’s spicy and fruity and known locally as “Enderson’s”, or simply “Relish”. The comedian Tom Wrigglesworth said that while ‘outsiders’ think Henderson’s Relish is Sheffield’s answer to Worcestershire sauce, Sheffielders think it’s the answer to everything. If you haven’t tried it and you live outside South Yorkshire, you can purchase online.
Stanedge Pole, where the quilter used to walk and learned to drive on the road leading to it. Stanedge Pole, also known as Stanage Pole, is a landmark on Hallam Moors close to Stanage Edge in Sheffield 10 (grid reference SK2468784429). On the crest of the moor the carved wooden pole (and it’s replacements) have helped the weary and confused navigate in driving rain or blowing snow from the 1550s.
Forge Dam Slide, near the cafe and by Ivy Cottage Lane, Sheffield S10, is a long metal slide. As the quilter said in the notebook, “the joys of living somewhere hilly is that you can get long slides”. You can see an image on Trip Advisor.
Cutlery, is what Sheffield used to be well known for, with the first reference to cutlery made in Sheffield in 1297. Now there are only a few small producers, including Ernest Wright & Son (whose stork embroidery scissors I used for the city-scape in row one). You can see sheffield cutlery at the Sheffield cutlery shop.
Wind, which the quilter remembers blowing the cherry blossom in her parent’s garden. The blossom blowing from the tree reminds me of frequent visits to Sheffield Botanical Gardens, from toddlerhood to the present day.
This row, which is in the middle of my Sheffield Quilt , concentrates on Sheffield’s industry. The quilter shared in the notebook how, like me, when she thinks of Sheffield her first thought is of the hills, and her second is of the rivers which led to industry. The quilter used a background fabric suggesting the contours of the earth and appliqued the Bessemer Convertor, strip mills, steelworks and cooling towers. I hand quilted along the rivers in the top three rows.
Five Weirs Walk Sheffield’s industrial landscape has been changing along the river Don with it’s five weirs since the 1980s. Now it’s a green ribbon of trees known as the Five Weirs Walk. This 8km takes you through the East End of Sheffield, past scenes of Sheffield’s history. There are Victorian buildings and scenes of the city’s industrial heyday: old schools, mills, factories and some contemporary sculptures.
The quilter shares “the leaves represent the regeneration of the industrial sites”.
Sheffield Tinsley Canal In 1819 the 4 mile Sheffield Tinsley canal was completed between the River Don and a new basin in the centre of Sheffield.
Some trade continued up to the 1970s but then it was neglected. Now the towpath is a walk out of Sheffield for all weathers and seasons, and I have enjoyed a cruise along the canal.
As shared by a reviewer on the park’s facebook page, I’ve been going to this park since the 70s as a child. A shame the lido went, but the cafe and all the facilities brought about by the friends of Millhouses Park have kept this beautiful space totally user friendly and alive.
The park was near Abbeydale Grange, the comprehensive school I atended, and is quite near where I live now. My children were taught to ride a bike without stabilisers on its gentle slopes and I enjoy the cakes at the cafe by the miniature boating lake depicted on the quilt row. I have walked dogs, played tennis and mini golf, and watched my sons play basketball and rugby at this park.
The blocks of the quilt row represent the sports pitches, paths and flower beds.
I added a “love blooms here” print to widen the row to fit the others and represent family times at Millhouses Park.
The common colours in the five rows for my Sheffield Quilt were grey and green. I chose a fairly dark grey textured “linen print” to divide the rows, highlight them and represent the “steel city”.
I chose a light grey with cream spots to represent living above “the snow line” in Banner Cross in Ecclesall.
Batting & Backing
My choice was a bamboo cotton 50/50 blend batting as this is eco friendly and anti bacterial. The makers recommend you hand wash it, so I did this in the bath with soap flakes. I then squeezed and rolled it in a towel to remove some moisture, before drying it flat.
The sashing, border fabrics, and batting for my Sheffield Quilt, were a gift from my son Matthew – from Billow Fabrics. I used a plain grey, soft fabric for the back.
Each month I am inspired by the stitchers at my quilters group. The Totley Brook Quilters are keen sewers and quilters who meet each month to chat and sew. Each session includes “show and tell” and it is amazing to see what has been produced. So this month I was able to show the top of my Sheffield Quilt – pinned and basted, ready to quilt.
I used a walking foot to do straight quilting rows on my Sheffield Quilt, rolling the quilt to work through the machine.
Machine Finished Binding with Mock Piping/Flange
This binding gives a piped look you can completely sew to your quilt with the sewing machine. Use either invisible thread or thread to match the piping in the top of your machine and a thread matching the quilt backing in the bobbin.
Make the Binding
You will need: 1½” strips of your main binding fabric and 1¾” strips of a contrast fabric.
Cut sufficient strips of each of these to go around your quilt plus extra for corners and joining. Prepare the binding by Joining the strips of fabric with a diagonal seam:
Place fabric right sides together at right angles
Trim seam allowance to ¼” and press seam open
Next sew the two colours together along their length using a ¼” seam.
Press the seam towards the main binding fabric.
Fold the binding in half lengthwise, so the raw edges are flush. Then press so a strip of the contrast fabric is visible on the right side of the binding.
Now prepare the beginning of the binding strip:
Unfold the left edge of the binding, fold the corner in and press.
Trim the triangle leaving a ¼” seam allowance
Refold the strip
Attach the binding to the quilt
You will first sew the binding to the back of the quilt. Then fold to the front before stitching again. Place the right side of the binding to the wrong side of the quilt, with raw edges along the edge of the quilt. Using a walking foot stitch ¼” from the edge of the quilt.
To turn the corners, stop stitching ¼” before the corner of the quilt. Then remove the quilt from the sewing machine to fold the corner. Fold the binding up so that the diagonal fold points directly into the corner.
Next, fold the binding down again, aligning it with the edge of the quilt.
Continue sewing ¼” from the edge, all round the quilt, folding each corner.
When you reach the start, trim the binding. Then Insert it into the pocket created at the beginning. Pin and stitch in place.
Complete the Binding
Fold the binding onto the right side of the quilt so you can now see the narrow piping strip.
Pin carefully, being careful the match the corners.
Stitch in the ditch on the piping using a thread matching the piping, or invisible thread in the top of your machine and a thread matching the quilt backing in the bobbin.
Sewing my Sheffield Quilt during the Christmas holidays was also a time to catch up with family. So I thought how patchwork and family life are similar and I also about this quote from, The Christmas Quilt (Elm Creek Quilts novel).
“A family is an act of creation, the piecing together of disparate fragments into one cloth – often harmonious, occasionally clashing and discordant, but sometimes unexpectantly beautiful and strong. Without contrast there is no pattern, and each piece, whether finest silk or faded cotton, will endure if sewn fast to the others with strong seams – bonds of love and loyalty, tradition and faith.” Jennifer Chiaverini
I would love to hear about your experiences of quilting and/or Sheffield. Please leave a comment below, or contact me
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